Upcoming:
August 30 - September 28, 2023 Kunsthalle Pfaffenhofen
DEUTSCHES HYGIENEMUSEUM, DRESDEN, 2004
WELLCOME COLLECTION, LONDON, 2008
KUNSTHALLE ROSTOCK, 2011
KASSEL, MUSEUM FÜR SEPULKRALKULTUR, 2005
Vonderau-Museum, Fulda, 2020
Kunstmuseum des Kantons Thurgau, Kartause Ittingen, 2006
MORI ART MUSEUM, TOKIO, 2009
WILLY-BRANDT-HAUS, BERLIN, 2005
DAS LETZTE BILD, STADTGALERIE SAARBRÜCKEN, 2018
OGE GALLERY, HAIFA, 2008
MUSEU D AGUA, LISSABON, 2006
KUNSTHAUS, HAMBURG, 2008
LIMMATHALL, ZÜRICH, 2016
STRAUBING, 2008
FOTOGALLERIET FORMAT, MALMÖ, 2009
CATHEDRALE NOTRE-DAME, MONTREAL, 2012
TEKNISK MUSEUM, OSLO, 2014
WESTLICHT, WIEN, 2009
"Schels' portraits capture the basic humanity of men and women approaching their deaths. Although the photographs acknowledge the inevitability of death, they also celebrate life." Colin Martin, Lancet
"This project succeeded in throwing some light on to the subject that is perhaps most worthy of examination, and certainly most obscured, in human experience: the great mystery of death itself. And it's a mystery of equal significance wherever in the world."
Joanna Moorhead, Guardian
"This collection of portraits must have taken courage, patience and sensitivity: from the subjects, as well as from Schels and Lakotta. Through their honest accounts, we have extraordinary access to the thoughts, experiences and ultimately fears that face those with a terminal illness." Lara Holmes, Royal Photography Society Journal
"Schels' tasteful, powerful images lend his subjects dignity while Lakotta's words, which include comments from those photographed, reveal the variety of ways in which people face their end." Diane Smyth, British Journal of Photography
"A stunning series of portraits of people — shortly before and after they die — is touring Europe, and tackling one of the biggest remaining taboos in Western societies." Lens Culture
"Live and deceased portraits with a unique, tangible and affecting weight, balanced on the border between honesty and tenderness. Rather than romanticizing or confronting us with a stark reality these images invite the viewer to engage directly with death on a deeply personalized basis, and at the same time allow just enough emotional distance and perspective for more abstract ruminations on mortality in general." Aaron Schuman, foam